abandonedography:

Thonis-Heracleion (the Egyptian and Greek names of the city) is a city lost between legend and reality. Before the foundation of Alexandria in 331 BC, the city knew glorious times as the obligatory port of entry to Egypt for all ships coming from the Greek world. It had also a religious importance because of the temple of Amun, which played an important role in rites associated with dynasty continuity. The city was founded probably around the 8th century BC, underwent diverse natural catastrophes, and finally sunk entirely into the depths of the Mediterranean in the 8th century AD. (via)

(via piggyjelly)

lupevision:

‘A Noite é uma Vaca Preta’ | ‘Night is a Black Cow’

Nanquim, aquarela e folha de ouro sobre papel | Ink, watercolor and golden leaf on paper

2013

(via alexanderraban)

dreamdeath:

Springbreakers

(Source: hoodtrash, via gothsensation)

rosemortem:

A young man woos Death with a flower 

(via alexanderraban)

1910-again:

Percival Gaskell, The Noiseless Music of the Night c.1920

(via nocnitsa)

Սայաթ-Նովա (Sergei Parajanov, 1968)

(Source: danieldaylewiswithamoustache, via mexicanloneliness)

specterofsexlessappeal:

Max Ernst
From the surrealist novel Une Semaine de Bonté, collage

(via no)

(via mexicanloneliness)

piggyjelly:

Cryptid (Ira Jose?) from The Museum of Fantastic Specimens

(Source: mashfirstofhedead)

(Source: amethystdeceivers, via decayedintelligence)

blastedheath:

Mikalojus Konstantinas Čiurlionis (Lithuanian, 1875-1911), Prelude (The Knight Prelude), 1909.

(via nocnitsa)

yousaytomesetblackfires:

Reznor and Lynch

(via mexicanloneliness)

(Source: joelnewman, via bitethebolster)